社会学维度的审美文化阐扬——评李红春博士新著《自由空间与审美话语》  

Expounding Aesthetic Culture in the Sociological Dimension:Review of Dr. Li Hongchun's New Book Free Space and Aesthetic Discourse

作　　者：何志钧[1] 刘静[1] 

机构地区：[1]鲁东大学文学院,山东烟台264025

出　　处：《廊坊师范学院学报（社会科学版）》2015年第3期89-90,共2页Journal of Langfang Normal University(Social Sciences Edition)

摘　　要：1990年代以来的审美文化研究与新时期之初兴起的审美主义潮流有很大不同,它切合了新的时代语境,使美学研究贴近了现实人生和市井大众。李红春博士的新著《自由空间与审美话语:社会领域分化中的当代中国审美文化》致力于解决审美文化研究领域的重大基础问题。该书另辟蹊径,积极开拓审美文化研究的社会学维度,对推进当前的审美文化研究不无积极意义。Since the 1990 s, studies of aesthetic culture are different from the aesthetic trend that rose at the beginning of the new era. It corresponds with the context of a new era, making aesthetics close to the real life and public marketplace. Dr. Li Hongchun＇s new book Free Space and Aesthetic Discourse： Contemporary Chinese Aesthetic Culture in Social Differentiation is committed to major basic problem-solving research in the field of aesthetic culture. The book chooses a different way to actively explore the sociological dimension of aesthetic cultural studies. Thus, it is of active significance for advancing the current aesthetic cultural studies.

关 键 词：当代中国审美文化 社会学维度 私人领域 

分 类 号：G122[文化科学]