从浮华雕琢的初唐宫廷诗风到清丽豪逸的盛唐诗风——高丽前半期汉诗风的流变论析  

Ornate and Elaborate Court Poetic Style of the Early Tang Dynasty VS Elegant and Resounding Poetic Style of Prosperous Tang Dynasty——Analysis of the Evolution of Chinese Poetic Style at the First Half of Koryo Dynasty

作　　者：杨会敏[1] 

机构地区：[1]宿迁学院中文系,江苏宿迁223800

出　　处：《唐都学刊》2015年第4期50-55,共6页Tangdu Journal

基　　金：江苏省高校哲学社会科学基金项目(2012SJD750043)

摘　　要：高丽前半期(918—1170)汉诗风的流变以仁宗朝为分界点,可分为两个时期进行阐释。高丽太祖元年(918)至仁宗朝(1123—1146)以前,高丽汉诗以重文轻质、浮靡雕琢的初唐宫廷诗风为主导,主要三大代表诗人崔承老、崔冲、郭舆所创作的汉诗以歌功颂德、娱情遣兴为内容,注重辞藻的堆砌、艺术技巧的雕琢,其诗歌的题材意蕴、格调气度及审美趣味类似于初唐宫廷诗风。仁宗、毅宗时期出现了以郑知常为主要代表的清丽、豪逸之美兼具的盛唐风,他像杜甫及一些中晚唐诗人一样善用拗体,韵格豪逸,他也善于学习借鉴和扬弃王维描写山水之技巧,其写景抒怀诗充满诗情画意,别具一番清丽风貌。The evolution of Chinese poetic style at the first haft of Koryo dynasty （918 -1170） can be divided intotwo periods by the cut-off point of Emperor Ren Zong＇s reign. The Chinese poetry during the period from the firstyear of Emperor Tai Zu （918） to Emperor Ren Zong Dynasty（ 1123 - 1146） was dominated by the ornate and elab-orate style similar to the court poems of the early Tang Dynasty. Poems, written by the three representative poetslike Cui Cheng-lao, Cui Chong and Guo Yu, were focused on eulogizing deeds and virtues and entertaining others,with ornate and elaborate style, similar to the court poetic style of the early Tang Dynasty in their implication, styleand aesthetic taste. The elegant and resounding style emerged, similar to the poetic style of the prosperous TangDynasty, represented by Zheng Zhi-chang, by the Period of Emperor Ren Zong and Emperor Yi Zong. Zheng Zhi-chang was adept in writing irregular verses with unrestrained rhymes, in learning from Wang Wei＇s technique oflandscape description. Zheng Zhi-chang＇s scenery poetry is full of poetic illusions and picturesque romance togetherwith a special elegant and beautiful style.

关 键 词：高丽前半期 汉诗 浮华雕琢 初唐宫廷诗风 清丽豪逸 盛唐诗风 

分 类 号：I312.072[文学—其他各国文学]