文学接受视野下的韩柳与骈文——以宋至清代为讨论中心  

Han Yu and Liu Zongyuang and Parallel Prose from the View of Criticism:The Main Discussions from the Song to the Qing Dynasty

作　　者：刘城[1] 

机构地区：[1]广西教育学院文学院,广西南宁530023

出　　处：《广西师范大学学报（哲学社会科学版）》2015年第3期80-85,共6页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目"中国古代骈文文论研究"(10XZW0023);2013年广西高等学校人文社科研究项目(SK13LX550)

摘　　要：韩柳一直被视为集大成的古文宗师,其古文理论及创作成就广受称誉而成为经典。相比而言,韩柳与骈文的关系却备受争议。在骈散对立的古文文论体系中,韩柳用古文对抗骈文以振文风的观点自中唐迄清末从未中断,不少人甚至对韩柳创作骈文的事实有意避而不谈。但韩柳沉浸骈文日久,故其骈文除有承袭之外亦有创新。更重要的是,韩柳包容骈文及不拘骈散的创作实绩,为文章开辟了崭新的写作之途。世人逐渐认可韩柳的这一贡献,并给予其极高的骈文史地位。Han Yu and Liu Zongyuan are always regarded as the masters of classical prose.Their prose theory and creative achievements are widely admired and become a classic.In contrast,the relationship between Han and Liu and parallel prose is controversial.In the classical literature system,parallel prose is the opposite of other types of prose.The view that Han and Liu use classical prose to oppose parallel prose exists from the middle of the Tang Dynasty to the end of the Qing Dynasty.Many people are inclined to draw a veil over the fact that Han and Liu＇s works are parallel prose.However,Han and Liu were immersed in the Six Dynasties＇ parallel prose in Kaifeng for a long time,so their parallel prose had inheritance but also innovation.The most important thing is Han and Liu＇s inclusion of parallel prose and their creative achievements without confining themselves to parallel or classical prose.They open up a new road for writing.People gradually recognize Han and Liu＇s contribution and give them a high status in the history of parallel prose.

关 键 词：文学接受 韩柳 骈文 

分 类 号：I206.2[文学—中国文学]