“取经”故事冷落于元代剧坛的原因分析  

On the Reasons for the Absent Treatment of the “Pilgrimage” Story in Yuan Dynasty

作　　者：温斌[1] 

机构地区：[1]包头师范学院文学院,内蒙古包头014030

出　　处：《阴山学刊》2015年第3期29-32,共4页Yinshan Academic Journal

基　　金：国家社科基金项目"中国古代北方草原文学美学价值研究"(12XZW016)阶段性研究成果

摘　　要："取经"故事在宋元之际广为流传,但却没有在元代杂剧创作领域引起足够的重视,形成"西游戏"现象,对此多从儒家影响和神怪特点来分析,而其实际上更主要的原因是以《取经诗话》为代表的"取经"故事在文化属性、文学特性等方面与元代杂剧创作所体现的时代精神、主题追求、美学追求等方面的严重偏离。The story of ＂pilgrimage＂ is widely spread in Song and Yuan Dynasty, but didn＇ t bring enough of the attention in Yuan Variety Play creation field, thus formed the ＂Goes West Drama＂ phenomenon. On this phe- nomenon, people usually tend to analyze from Confucian effects and Genie features. But actually the main causes is that, the ＂pilgrimage＂ story which is represented by the of Yuan Variety Play in many aspects such as the value Pilgrimage Poetry was seriously deviated from the creation orientation, era spirit, and theme pursuit, etc.

关 键 词：元代杂剧 《取经诗话》 文化属性 主题精神 

分 类 号：I207.3[文学—中国文学]