世纪之交女性小说的悲剧性症候认知  

On the Tragic Syndrome Cognitive of Female Novels at the Turn of the Century

作　　者：魏颖[1] 

机构地区：[1]中南大学文学院,湖南长沙410083

出　　处：《湘潭大学学报（哲学社会科学版）》2015年第4期94-98,共5页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：湖南省社会科学规划基金项目"湖南作家创作与现代性体验研究"(项目编号:13YBA335);中南大学研究生教改研究课题"性别诗学教育与创新能力培养"(项目编号:2015JGA03)的阶段性成果

摘　　要：世纪之交的女性小说从日常生活的维度表现了女性的生存困境和精神困境,崇高的悲剧精神却呈现出消减甚至被放逐的态势,主要体现在现实生存立场代替了启蒙立场;"灰色"人物消解了理想生活;审美距离嬗变为感官的直接享乐。女性主义价值观与国家的主流价值观虽有差异却存在弥合的可能性,女性小说如何在个人情感诉求中折射大人生、大境界,藉此建构一种关注两性新型审美关系的性别意识或道德信仰是小说家和理论家亟待思考的问题。The female novels showed the female＇s survival predicament and spiritual predicament from daily life dimensions at the turn of the century,the lofty spirit of tragedy weakened even exiled. This is mainly reflected in these aspects： the reality survival position instead of the position of enlightenment; ＂ Grey＂ characters dispel the ideal life; Aesthetic distance changes as sensual enjoyment directly. There are differences and possibility of bridge between the Feminist value and the mainstream value of our country. How to reflect the large life and the large state in personal emotional appeal？ How to construct a new focus on gender consciousness or moral belief of new aesthetic relation between the sexes？ There are problems that novelist and theorists need considering now.

关 键 词：悲剧性症候 悲剧精神 女性小说 主流价值观 

分 类 号：I206[文学—中国文学]