当代俄罗斯剧作家奥·博加耶夫剧作中的互文现象  

On the Intertextuality Features in Contemporary Russian O. Bogaev's plays

作　　者：王丽丹[1] 

机构地区：[1]南开大学外国语学院

出　　处：《俄罗斯文艺》2015年第3期74-81,共8页Russian Literature & Arts

基　　金：国家社科基金后期资助项目<当代俄罗斯戏剧作品研究>(12FWW005)阶段性成果

摘　　要：后苏联时期的俄罗斯戏剧文学,绝无先例地步入了对历史文化、传统经典反思的繁荣阶段。剧作家集体重温经典,以另类的书写方式对经典作品、经典作家乃至历史人物进行重读、重构、解构。其中在颠覆、创新经典方面具有代表性的当代俄罗斯剧作家当属奥·博加耶夫。本文从博加耶夫剧本对历史人物及经典作家的反讽性解读上进行探讨,试图说明,这一全新的历史人物文化符号的流行勾勒出俄罗斯人颠覆经典、游戏传统、否定曾经的价值观的精神现状。The Russian playwriting in the post-Soviet period unprecedentedly stepped into a prosperous stage of reflecting on the historical culture and the traditional classical works. The whole playwriting community brushed up the classical works, rereading, reconstructing and deconstructing the classical works, classical writers and even the historical figures via an alternative writing method. 0. Bogaev is a representative contemporary Russian playwright in subverting the traditional notion of classics and bringing forth new ideas. Based on the dramatist＇s ironical interpretation on historical figures and classical writers, this article attempts to show that this brand-new popularity of historical figures as cultural tokens outlines the Russian people＇s present mental status of subverting classics, playing with the tradition and rejecting the old values.

关 键 词：博加耶夫 互文 游戏传统 历史人物 列宁 

分 类 号：I512.073[文学—其他各国文学]