在圣俗之间:傣族贝叶文学的发展与文学价值  

From Holy Religion to Public Secularity: Development and Value of the Pattra-leaf Literature of Dai people

作　　者：黄方方[1] 陈孟云[2] 

机构地区：[1]云南财经大学国际文化学院 [2]云南财经大学传媒学院,云南昆明650221

出　　处：《学术探索》2015年第8期105-110,共6页Academic Exploration

基　　金：国家社科基金项目(11XZW030)

摘　　要：傣族贝叶文学的发展经历了从宗教的"神圣"到市民的"世俗",最初佛教的传播需要借助文学塑造感人形象感化教育人们,以《苏帕雪》和《佛教格言》为代表的佛教典籍借助佛教里的哲学思想提升和整合了傣族文化;随着傣族社会经济的发展,当佛教经典文学不能解决人们社会经济发展及思想困惑时,预示着佛教经典文学已经完成它的历史使命,傣族市民文学出现,以《宛纳帕丽》《楠波冠》等为代表的市民文学出现,预示着世俗化文学时代的到来,但真正实现佛经文学走向世俗化的是佛本生经《召树屯》文本进入汉语文化圈所产生的文化流变,在民族文化融合中形成以孔雀文化符号为代表的傣族文学。The Pattra - leaf literature of Dai people has evolved from holy religion to public secularity. Buddhism first spread its ideas to educate Dai people with the help of shaping touching images in literature. Buddhist philosophy advocated in Su Paxue and Buddhist Mottoes, representative of the Buddhist classics immersed into Dai people＇s culture to have them enlightened. With the development of society and economy of the Dai, however, this literature could no longer help them with their ideological con- fusion in the process of modernization, which also hints its educational role in history had completed and begun to withdraw. Under this background, secular literature with Van Na Pail and Nan Bo Guan as the representatives, appeared, and indicats the arrival of the stage of secularity in Dai＇s literature. But what really makes the Buddhist literature secularized is that ＂Zhaoshu Village＂, a former Buddhist literature text became popularized in Han people＇s culture and made a great change in Chinese literature circle. This finally shapes the Dai＇s literature style with peacock as a cultural symbol.

关 键 词：傣族贝叶文学 神圣与世俗 孔雀文化符号 

分 类 号：I29[文学—中国文学]