杭州城:“旧”与“新”建筑遗产的重写本  

Hangzhou City: A palimpsest of 'Old' and 'New' Heritages

作　　者：孙培芳[1] 

机构地区：[1]浙江科技学院土木与建筑工程学院,浙江杭州310023

出　　处：《城市发展研究》2015年第7期88-91,共4页Urban Development Studies

基　　金：国家留学基金管理委员会的奖学金资助(奖学金编号:CSC No.201307570015)

摘　　要：杭州是典型的传统古城,这座城市展现了历史建筑环境的充分融合,包括明清时代保存完好的建筑物,也有20世纪的新作。此外,激进的、企图对重要的纪念性建筑进行重建与再造,亦屡有发生。城市里著名的鼓楼,也曾经历副本重写。正统的遗产保护学推行一种尖锐的观点,甚至是极端的理念:在建筑的"新"与"旧"的交替中,将旧有的贴上"真品"标签;而新的副本建筑则视为"赝品"和对遗产的破坏。但事实上,合理的副本重写是更积极和包容的演绎,是可接受的,它体现了"旧"与"新"的双重有效性。正是包容了各种建筑元素的共存和累加,成就了当代的"历史城市"。The city of Hangzhou is typical of many older Chinese cities in that it presents a rich mixture of apparently‘historic environments＇, some comprising largely-intact survivals from all past centuries, including the 20th, and others resulting from radical attempts at reconstruction or reshaping of key monuments, including the city＇s famous ‘Drum Tower＇. Orthodox conservation theory draws a sharp distinction, even a polarization, between these two approaches, labeling one ‘authentic＇ and the other ‘false＇ or ‘damaging＇ to the heritage. But an alternative, more positive and inclusive interpretation is possible, which recognizes both approaches as equally valid, co-existing elements in the cumulative mosaic that makes up a contemporary ‘historic city＇.

关 键 词：杭州 建筑 遗产 副本 重建 清河坊 鼓楼 鼓楼堂 

分 类 号：TU092.17[建筑科学]