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作 者:秦秋咀[1,2]
机构地区:[1]武汉大学文学院,湖北武汉430072 [2]衡阳师范学院文学院,湖南衡阳421002
出 处:《衡阳师范学院学报》2015年第4期7-12,共6页Journal of Hengyang Normal University
基 金:湖南省哲学社会科学基地委托项目"王夫之诗学体系研究"(2010JD41)
摘 要:船山论诗,追求深密,不喜直露之诗。在船山诗学中,诗情之深密,主要通过以下三种方式来实现:其一是隐匿诗情的源起,在诗中始终不显露诗情兴起的原因,或诗情寄托的对象;其二是隐藏诗情流行转合之内在理路,只令其自然呈显,故而此一内在理路很难在开端处窥破;其三是在诗中虽触及诗情的当下实态,却只"一切"而止,不再明言。In his poetry review,Wang Chuan-shan advocates poetry hidden emotions and dislikes poetry exposed emotions directly.In his poetics,there mainly are three ways to hide emotions.The first way is to conceal the source of poetry emotions and not to reveal the emotional reasons for the rise of poetry or the emotional objects.The second is to hide the inner path of the emotional flow in poetry,and emotions present naturally,so that this inner path is difficult to be seen at the beginnings.The third is to touch the nonmetal emotion slightly and not to mention explicitly any more.
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