作为文化表演的治疗  

Cultural Performances as Treatment

作　　者：章米力[1] 叶舒宪[1] 

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《厦门大学学报（哲学社会科学版）》2015年第4期62-69,共8页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

摘　　要：在文学人类学的研究视野中,人类自古以来的治疗行为是造就文学发生的重要驱动力之一。随着文明的发展,治疗仪式被大大简化,但仪式基因却牢牢存在于文化的表现形式中。对于治疗过程中的文化表演方面,可以引入文化表演理论观点和方法进行研究,以此分析文化表演的特点及其与治疗的关系。医者作为表演者,建立了调整秩序的权威框架,表演本身作为一种言说形式,体现的是"元交流"所规定的各类文化信息。现代医学依旧以隐匿的方式对应着文化符码,医患之间所进行的是有限定的、协商性的表演。In the vision of literary anthropology research,the treatment behavior since ancient time has been one of the important driving forces to bring about literature. With the development of the civilization,treatment ceremonies have been simplified when the ritual genetic factor is always involved. This text will mainly refer to the theory and method of cultural performance to project the performance factors in the process of treatment. As a performer,the healer sets up the authorized framework for ordering. As a speaking form,performance embodies all kinds of cultural information which are contracted by metacommunication. Modern medicines are still corresponding to the cultural codes by a hiding way. The performance between patients and doctors is prescriptive and negotiated.

关 键 词：文化表演 文学治疗 文学人类学 

分 类 号：I0-05[文学—文学理论] C912.4[经济管理]