台湾地区陶艺家的钧瓷烧造实践(上)  

Jun Porcelain Firing Practice of Potters in Taiwan(Ⅰ)

作　　者：王洪伟[1] 

机构地区：[1]河南大学艺术学院,河南开封475001

出　　处：《许昌学院学报》2015年第4期41-46,共6页Journal of Xuchang University

基　　金：第51批中国博士后科学基金面上项目:"华夏文明‘连续性’生成的逻辑机制:基于中原传统名窑演变的历史社会学研究"(2012M511097);2012年河南省教育厅人文社科重点项目:"华夏文明‘连续性’生成的逻辑机制:基于中原传统名窑演变的历史社会学研究"(2012-ZD-020);2014年度河南省哲学社会科学规划项目:"历史与前景:建设中原陶瓷文明传承创新区的艺术地理学研究"(2014BYS023)

摘　　要：20世纪40年代以来,台湾陶瓷界不断掀起运用本地资源烧造钧瓷的热潮,成为中国大陆之外钧瓷烧造技艺最高、烧造规模最大、烧造内容最具拓展性的钧窑系范域,但却长期为大陆钧窑研究所忽视。台湾陶艺家紧密结合和运用现代陶瓷科技新发现,推动了钧釉的工艺创新,同时还力推钧瓷造型和功能的生活化、艺术化,非常值得大陆尤其是钧瓷原产地钧瓷从业者学习借鉴。Since the 1940s, Taiwan＇ s ceramics sector has kept launching booms of using local resources to fire chinaware and has become a model domain of Jun porcelain outside the Chinese mainland with the firing skill highest, the scale largest and the firing content most expansive. But for a long time, this has been neglected by the ware academic institutions. Taiwan ceramists＇ close integration and application of modern ceramic technology has promoted the glaze technology innovation. Meanwhile, they also push chinaware form＇ s function of life and art, which is well worth learning from by chinaware practitioners from the continent, especially the origin place of chinaware.

关 键 词：台湾地区 陶艺家 钧瓷 钧釉 

分 类 号：TQ174[化学工程—陶瓷工业]