昆曲杂剧三题  

Three Issues on Kunqu Zaju

作　　者：徐子方[1] 

机构地区：[1]东南大学艺术学院

出　　处：《戏剧（中央戏剧学院学报）》2015年第4期80-87,共8页Drama:The Journal of the Central Academy of Drama

摘　　要：在明中叶后昆曲杂剧形成和流行过程中,《四艳记》作为现存较早且完整流传的套剧而入昆曲,《男王后》作为有意"一变剧体"之滥觞,《昭君出塞》和《文姬入塞》进入家班演出,此数剧在关目和体式上皆有其独到之处,值得治戏曲史者予以关注。In the middle and late Ming Dynasty, in the process of the formation and prevalence of Kunqu Zaju, Legends of Four Beauties, the most completed earliest series which preserved well, is the first Zaju blended into Ktmqu, The Male Queen is the first Zaju intended to change its form and style, Zhaojun beyond the Great Wall and Cai Wenji back to Han became the repertoire for some home-owned troupes. Actually, the plot and the rhythm pattern of these texts are very special and are worthy for scholars in this field to notice.

关 键 词：昆曲杂剧 组剧 南杂剧 家乐戏班 

分 类 号：J809.2[艺术—戏剧戏曲]