民间戏剧“政治化”与乡村日常生活世界的变迁——以中央苏区时期中国共产党对客家民间戏剧的改造为例  

Folk Drama "Politicise" and the Change of Rural Daily Life World——The Communist Party of China on Hakka folk Drama in Central Soviet Area Period of Transformation for Example

作　　者：郑紫苑[1] 

机构地区：[1]赣南师范学院客家研究中心,江西赣州341000

出　　处：《赣南师范学院学报》2015年第4期3-7,共5页Journal of Gannan Teachers' College(Social Science(2))

基　　金：2014年江西省艺术规划(YG2014014);2012年度国家社科基金重大项目(12&ZD132)

摘　　要：文化是对生活意义的注入,并决定生活方式的选择。中央苏区时期,中国共产党基于对乡村文化娱乐的重视,通过对以客家民间戏剧为代表的民间文艺的"政治化",将革命话语转化、翻译为有效的地方性话语,用左翼文化提升了客家民间文艺的品格,实践了大众文艺理念,也从文艺角度推动了乡村日常生活世界的变迁,构建了新的乡村公共文化空间,进而推动了党的乡村文化领导权的实现,同时,也为今天我们处理"现代文艺"与"民间文艺"的关系,提供了一种实践样式。Culture is injected into the meaning of life,and decided to lifestyle choice. Central Soviet area period,the Communist Party of China＇s emphasis on rural cultural and entertainment based on folk literature and art represented by hakka folk drama ＂ politicisation＂,the revolutionary discourse transformation,for effective local discourse translation,use left to raise the character of hakka folk literature and art,practice the concept of public art,also from the perspective of literature and art to promote the change of rural daily life world,to build the new rural public cultural space,thus promote the realization of the rural cultural leadership of the party,at the same time,for today we also deal with ＂ modern art＂ and ＂ folk art＂,provides a practical style.

关 键 词：中央苏区时期 日常生活世界 客家民间戏剧 政治化 

分 类 号：J642.4[艺术—音乐] K263[历史地理—历史学]