海德格尔诗学节奏观探微  

Analysis of the Rhythm View in Heidegger's Poetics

作　　者：李创[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《同济大学学报（社会科学版）》2015年第4期22-31,共10页Journal of Tongji University:Social Science Edition

摘　　要：节奏()是诗歌、音乐、舞蹈等艺术活动的基础,节奏概念在西方美学史上具有悠久的传统。在古希腊,节奏的基本含义是形式、结构,是决定事物的本质(、)。节奏也是现象学所认为的现象"形式显示"的"形式",是现象学的"基底",是对时间-空间的统一直觉形式。语言是在形式中展开的,因此节奏是语言的基础,语言中的节奏也表达了我们基本的生存情绪。节奏作为约束又体现了审美教化功能。通过对节奏的分析可以深入理解海德格尔的生存论诗学。Rhythm （ρvθμós）is the essence of arts, including poetry, music and dance, and the notion of rhythm has a long tradition in the history of western aesthetics. Its basic conception consists of form and structure that determine the essence （ετοζμροφη） of the matter in ancient Greece, and is also regarded as the ＂form＂ in the ＂form-showing＂ elucidated in phenomenology. As the substrate of phenomenology, rhythm is a unified intuition of time and space. Language spreads itself in this form, and thus, the rhythm of a language signifies our fundamental mood of constraining function of rhythm can also play the role of aesthetic education. of rhythm can further the understanding of Heidegger^s poetics. existence. Besides, the Therefore, an analysis

关 键 词：海德格尔 节奏 形式 语言 

分 类 号：I516.25[文学—其他各国文学] B516.54[哲学宗教—外国哲学]