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作 者:周斌[1]
出 处:《艺术百家》2015年第4期108-115,共8页Hundred Schools In Arts
摘 要:新世纪以来,中国国产谍战剧的创作有了长足发展,相继拍摄了一批各具艺术特点的好作品,这些剧作在题材、内容、人物和形式等方面,都进行了多元化的艺术探索,既较好地概括反映了艰苦曲折、错综复杂的革命斗争历史,又成功地塑造了一批具有较鲜明个性特点的各类人物形象;同时,在叙事形式和技巧手法等方面也有一些新的拓展,从而有效地提高了国产谍战剧的艺术质量。但是,当下国产谍战剧的创作也存在着一些较明显的问题,如有些剧作只重视故事的传奇性而忽略了艺术的真实性,有些剧作情节漏洞百出、细节经不起推敲,还有些作品则跟风模仿、缺乏新意,同质化倾向十分明显。因此,如何进一步在创作中强化艺术真实,注重创新探索,不断提高剧作的艺术质量,确保国产谍战剧具有较高的艺术品质,应该是今后创作发展中需要着重解决的一个主要问题。Since the new era, national spy drama has made a great progress. There appear several excellent works which have done a plural artistic exploration in theme, content, figure, and form. Such works reflect the tortuous and complex revolutionary history, and shape a series characters with their peculiarities as well. In addition, they have made some new expansion in narrative form and techniques, and this effectively promotes the artistic quality of nation- al spy drama. However, there are some problems. For example, some plays only pay attention to the legendary of tales but neglect the art truth, some are full of loopholes with details that could not bear closer analysis, and others have no new meaning. Therefore, to further strengthen art truth and pay much attention to innovative exploration and to continually promote the art quality of plays becomes a significant problem that needs solving in later creation and development.
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