明清文学园林植物构景的“阴阳”结构探微  

Study on “Yin-yang”Structure of Landscape Planting in the Garden of Ming and Qing Literature

作　　者：张恒[1] 李俐[1] 朱贺[2] 

机构地区：[1]华侨大学建筑学院,福建厦门361021 [2]华南农业大学艺术学院,广东广州510642

出　　处：《华侨大学学报（哲学社会科学版）》2015年第4期114-122,共9页Journal of Huaqiao University(Philosophy & Social Sciences)

基　　金：教育部人文社会科学研究项目(12YJA790049)

摘　　要：明清时期造园兴盛,同时也出现了文学园林这一特殊的园林形式。通过以《将就园记》《琅嬛福地》《乌有园记》这类虚构园林短文以及《红楼梦》《金瓶梅》这类"小说园林"为范本,共时性的探讨明清文学园林中植物构景的"对偶"与"四时"形式,揭示背后所隐含的"阴阳"对立与转换关系,剖析文学园林中植物造景的"阴阳"结构,透析隐藏在文学园林背后深层的古典造园艺术范型。During the period of Ming and Qing dynasties, private gardens were flourishing. At the same time, garden of literature, regarded as a special form of garden appeared. Based on Jiangjiu Yuan Ji, Langhuan Fu Di, Wuyou Yuan Ji and the so-called ＂novel garden＂ like Dream of the Red Mansionsand Chin Ping Mei, this paperanalyzes the structure of ＂anti- thetical parallelism＂ and ＂four seasons＂ of landscape planting in the garden of literature, dissecting dual antithesis and transfer structure of ＂yin-yang＂ hidden in the gardens of literature. The purpose of this paper is to study the Chinese gardening artistic paradigm embodied in the garden of literatureby analyzing the ＂yin-yang＂ structure.

关 键 词：文学园林 植物构景 对偶 四时 阴阳 

分 类 号：I206.2[文学—中国文学] TU986.2[建筑科学—城市规划与设计]