中国传统声乐技法理论呈现形态溯源  

Exploration on the Original Form of the Traditional Chinese Vocal Techniques and Theories

作　　者：王群英[1] 

机构地区：[1]韶关学院音乐学院,广东韶关512005

出　　处：《韶关学院学报》2015年第7期109-113,共5页Journal of Shaoguan University

基　　金：广东省哲学社会科学"十二五"规划基金项目"基于艺术发生学的戏曲男旦与欧洲阉人歌手声乐比较研究"(GD13XYS14)

摘　　要：中国传统声乐技法及其理论有其独特的形态,迥异于西方声乐技法和理论的呈现样貌,从而透露出重歌唱实践轻理论研究的倾向。只有考虑中国传统声乐技法及理论产生的大背景、大视野,从主体性、哲学思想、社会习俗、审美取向等多因素进行考察,从本民族艺术之"根"出发,才能客观解读中国传统声乐技法特有的呈现形态,从而正确认识中西声乐技术与理论形态差异。With a very long history, the traditional Chinese vocal techniques and theories （CVTT） attach more attention to the Wholeness while its theories are concise, pursuing artistic aroma and excellence, displaying a unique form mode totally different from its western counterpart, and telling a trend of paying more attention to practice and less attention to theory. Only exploring the historical background based on the broad vision of its occurrence, including subjectivity, philosophy, social customs and aesthetics, from the root of the national art, can we get an objective understanding of the unique form mode of CVTT and scientifically treat the differences existed between CVTT and western vocal art without prejudice.

关 键 词：传统声乐技法 形态 文人论唱 思维方式 禁令 

分 类 号：J620[艺术—音乐]