新年画色彩中的民间审美特征  

On the Folk Aesthetic Characteristics of the Color of New Year Paintings

作　　者：高淑君[1] 

机构地区：[1]湖南工程学院设计艺术学院,湖南湘潭411104

出　　处：《湖南工程学院学报（社会科学版）》2015年第3期123-126,共4页Journal of Hunan Institute of Engineering(Social Science Edition)

基　　金：2013湖南省哲学社会科学基金项目"民俗学视野下新中国美术作品(1949-1976)研究"(13YBB095)

摘　　要：新年画的色彩传承了丰富的民间意味,它继承了传统年画的手法,呈现出主观、单纯、欢乐、祥瑞、饱满的色彩效果,迎合了大众的审美能力。通过分析新年画色彩的大众性、象征性、装饰性等特征来探讨新年画的民间趣味及民俗性,这对我们了解新中国美术作品(1949-1976)的民间色彩"味道",探寻民间艺术特色及其民俗精神有着重要的意义。The color of New Year paintings inherits the rich folk features. It presents the full color effects which include subjectivity,purity, pleasure, and auspicious sign by inheriting the traditional technique and catering to the mass aesthetic ability. The author tries to study the individual interests and the folk customs about New Year paintings by analyzing the characteristics of the color of New Year paintings, such as popularity, symbolism, decorating, etc. It is of great significance for us to understand the folk color tastes of the works of art from 1949 to 1976 in China and explore the characteristics of folk arts and their spirits .

关 键 词：新年画 色彩 大众性 象征性 装饰性 

分 类 号：J05[艺术—艺术理论]