苏州沧浪亭文化空间的建构、解构与重构  

The Cultural Space Construction, Deconstruction and Reconstruction of Suzhou Canglang Pavilion

作　　者：谢天开[1] 

机构地区：[1]四川大学锦城学院,四川成都611731

出　　处：《苏州教育学院学报》2015年第3期24-29,共6页Journal of Suzhou College of Education

基　　金：四川省哲学社会科学重点研究基地;四川省高校人文社会科学重点研究基地地方文化资源保护与开发研究中心项目(13DFWH005.2)

摘　　要：沧浪亭,一座以亭命名的苏州最古老的园林;"沧浪亭",一个中国园林的经典文化符号。从"沧浪亭"初始的临水而筑,到后来发生的"沧浪亭"亭子位移事件,反映了沧浪亭文化空间在社会—历史—空间三个维度中的建构、解构与重构,而作为中国社会主流意识的儒文化最终也与隐逸文化达成某种意义的妥协。Canglang Pavilion is Suzhou＇s most ancient garden named after pavilion, and it is a symbol of Chinese classical culture symbols. From the initial building of Canglang Pavilion as a waterside pavilion to the later incident of Canglang Pavilion displacement, these events reflected the cultural space construction, deconstruction and reconstruction in terms of the three dementions of society, history and space, and they also show that the mainstream social ideology of Confucian culture eventually reached a compromise with the seclusion culture in a certain sense.

关 键 词：沧浪亭 文化空间 建构 解构 重构 

分 类 号：TU986.45[建筑科学—城市规划与设计]