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作 者:龙其林[1,2]
机构地区:[1]广州大学人文学院,广东广州510006 [2]复旦大学中文系,上海200433
出 处:《南阳师范学院学报》2015年第8期46-51,共6页Journal of Nanyang Normal University
基 金:国家社科基金后期资助项目(13FZW051);广州市教育系统创新学术团队(13C05);广州大学人文社科青年博士学术团队项目(201404XSTD);广东省普通高校人文社科重大项目(2014WZDXM021)
摘 要:对于中国当代生态小说中狼叙事的叙述母题和小说结构,研究者一般将其归因于作家经历、传统文化的影响。如果把比较视野纳入到中国生态小说中的狼叙事研究中来,将苏联文学经典《断头台》与之进行对照阐释,可以发现中国生态小说狼叙事中的叙述母题、小说结构与《断头台》存在着相互呼应的关系。比较视野的运用,将突破以往中国生态文学研究中的某种思维定势,为生态文学研究开拓新的空间和思路。The wolf narrative in Chinese contemporary ecological novels is full of narrative motif and characteristic of novel structure, which researchers generally attribute to the writer' s prior experiences and the influence of traditional culture. If we introduce comparative perspective into research on the wolf narrative of Chinese ecological no- vels, for example, by comparing interpretations of the former Soviet Union' s literary classic "Guillotine" with those of contemporary Chinese ecological novels, we may find that there are echoing relationships between the two in terms of narrative motif and novel structure. The application of comparative perspective to research on the wolf narrative of Chinese ecological novels will inject new vigor and vitality into Chinese contemporary ecological literary studies.
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