辻听花和波多野乾一对中国戏曲的研究  

Ayano Tsuji and Giyoo Hatano's Exploration of Chinese Operas

作　　者：仝婉澄[1] 

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《井冈山大学学报（社会科学版）》2015年第5期108-112,共5页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社科基金青年项目"日本的中国戏曲研究史"(项目编号12CZW094);国家社科基金青年项目"明代的杂剧辑刊与戏曲文学发展研究"(项目编号:13CZW043)

摘　　要：二十世纪初期,北京剧坛繁盛一时,各类相关著作相继问世。其中《中国剧》和《支那剧及其名优》凭借立足剧场的实地调查,系统的记录了那个时代的剧坛剪影。而这两部著作的作者,分别是来自日本的辻听花和波多野乾一。他们的视角及方法,为中国戏曲研究提供了新的路径,影响了此后的日本学界。In early 20th century, Beijing Opera community witnesses great flourishing and many books on the opera arts were published. Among them, two works named Zhong Guo Ju （Chinese Operas） and Zhi Na Ju Ji Qi Ming You （ Chinese Operas and Their Famous Actors/Actresses） systematically record the opera situations of that time based on filed investigations. The books were written by Ayano Tsuji and Giyoo Hatano, two Japanese scholars. Their books influenced Japanese researchers of Chinese operas with new perspective and methods.

关 键 词：日本 中国戏曲研究 辻听花 波多野乾一 

分 类 号：I106.4[文学—世界文学]