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作 者:刘晓静[1]
出 处:《北京舞蹈学院学报》2015年第4期48-52,共5页Journal of Beijing Dance Academy
摘 要:春秋战国时期,各国之间的政治冲突和兼并战争频繁发生,这一方面在某种程度上阻碍了乐舞艺术的发展,另一方面又促进了舞蹈文化的交流,使舞蹈的表演性功能有了重大发展,开始普遍应用于政治外交活动中。随着建国之后考古发现的层出不穷,舞俑、玉舞人、绘有乐舞纹饰的陶器、铜器等文物的出土,为这一时期的乐舞研究提供了重要动力。笔者选取春秋战国时期与乐舞相关的出土文物为研究对象,通过对舞人、舞服以及舞姿形态等方面的特征梳理,试对这一时期的乐舞文化作简要总结。Due to frequent conflicts and wars, the Spring and Autumn Period and the Warring States Period hindered the development of music and dance art to some extent on the one hand, and promoted the cultural exchange on the other hand. With the archaeological findings emerging in an endless stream since1949, the earthen wares, jade dancers, painted potteries, bronze ornamentations of music and dance and other cultural relics were unearthed, providing a significant driving force for studying the dance art of this period. The paper selects the unearthed relics relating to dance of the Spring and Autumn and Warring States periods as the researching object, and briefly summarizes the dance cultural concepts of the periods through analyzing the dancers, the costumes and characteristics of dance movements.
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