越界先锋:从文艺规训到文化批判——论周宪文艺思想与治学理念  

From Literary Rules to Cultural Criticism——On Zhou Xian's Literary and Academic Thoughts

作　　者：周计武[1] 

机构地区：[1]南京大学艺术研究院,江苏南京210093

出　　处：《新疆大学学报（哲学社会科学版）》2015年第3期90-96,共7页Journal of Xinjiang University(Philosophy and Social Sciences)

摘　　要：在新时期以来的文艺理论与美学研究中,周宪既是文艺学话语规范的建构者,也是挑战文艺规训的解构者;既是自觉引进西方前沿性理论的重要策划者,也是把理论研究引入社会生活实践的反思者。从文艺批评到文化批判,从美学到超美学,从专家到业余者,正是这种越界的冲动、游移的视点、理论的开放性和批判的介入精神,使周宪的人文思想既闪烁着激进的美学锋芒,又保留着理性批判的张力。与其说他是体制内生存的搅局者,不如说他是一位思想的漫游者。In the literary theory and aesthetics research after 1949, Zhou Xian has formulated the literary discourse norms but also deconstructed the challenge of literary rules. He is consciously introducing vanguard western theories and meanwhile reflects on the introduction of the theoretical studies to social practices. It is in the literary criticism to cultural criticism, aesthetics to trans-aesthetics, and the experts to the amateur that Zhou Xian presents an image of such a cross-border impulse, wandering viewpoint, theoretical openness and critical intervention. His humanistic thoughts reveal the radical aesthetic edge and retain the rational judgment. He is a mental wanderer rather a spoiler in the system.

关 键 词：文艺规训 文化批判 超美学 越界 业余性 

分 类 号：I01[文学—文学理论]