傩文化、巫术神秘语境下“童子”扮相的属性与功能认定  

On the Nature and Function of Mysterious Child During the Pre-Qin Period and The Period of Han Dynasties

作　　者：吴媛媛[1] 田以樵[2] 

机构地区：[1]南京师范大学社会发展学院,江苏南京210097 [2]南京大学文学院,江苏南京210097

出　　处：《原生态民族文化学刊》2015年第3期99-104,共6页Journal of Ethnic Culture

摘　　要：两汉时期出现了一系列带有神秘色彩的儿童形象:战国末期起出现"童谣"以言吉凶,到汉代则演化为亦真亦幻的"荧惑说";两汉宫廷傩仪中使用"侲子"驱鬼逐疫,以及大雩祭祀中启用"童子"舞蹈求雨等。这些神秘儿童形象的出现并不是孤立且偶然的现象,它们与阴阳哲学观念中将童子视为纯"阳",即象征着强劲生命力的理念有着密切关联。There is a series of mystical images of children during the pre-Qin period and the period of two Han dynasties： It was prevailing to take little children as sacrifices in the Yin dynasty; Children＇ s folk became a kind of prediction which could tell political disasters from Warring States to Han dynasties. ＂Zhenzi＂ appeared in the ceremonies of expelling ghosts and epidemic diseases as well as ＂Tongzi＂ were dancing in the ceremonies of praying for rain. These mystical images of children were not isolated or incidental phenomenon, but were connected with the philosophical idea of ＂Yang＂.

关 键 词：傩文化 巫术 童子 阳性象征 

分 类 号：B933[哲学宗教—宗教学]