论“理学诗派”之自然审美意识  

Natural Aesthetic Consciousness in Neo-Confucianism Poetic School

作　　者：李天道[1] 龙又嘉[1] 

机构地区：[1]四川师范大学文学院,四川成都610066

出　　处：《吉首大学学报（社会科学版）》2015年第5期16-21,共6页Journal of Jishou University(Social Sciences)

基　　金：国家社会科学基金项目(13AZD029)

摘　　要：两宋时期的理学以"理"为万事万物的本源。"理"又称为天理,由此天人相依、天人相与,"理"是天人一体的基础,主导着当时的经世思潮,强调"文以载道"。与此同时,既基于"仁者,人也"的思想,同时受张载、朱熹等所提出的"大心"与"合内外之心"说的影响,"理学诗派"诗人的审美诉求一方面推崇自得自然,任心随意,强调自出机杼,同时,另一方面又突出地呈现一种对自然审美意识的诉求。Neo-Confucianism Poetic School during the two Song Dynasties regards＂Li＂（meaning law of nature）as the origin of all things.＂Li＂is also called heavenly principle,thus man and nature are interdependent.Being the foundation of the integration of man and nature,＂Li＂dominates the ideological trend of that time,and writings are emphasized to convey truth.At the same time,based on the Confucianism idea that a man should possess moral value（emphasizing the combination of man＇s nature and moral rule）,and also influenced by Zhangzai and Zhuxi＇s theories（emphasizing dharma and intellectuality and the combination of sensibility and rationality）,Neo-Confucianism Poetic School praises highly self-satisfaction and being original on the one hand,and on the other hand it also presents a natural aesthetic consciousness.

关 键 词：“理学诗派” “大心”说 自然审美意识 

分 类 号：B83[哲学宗教—美学]