论艺术生产的精神能量  

The Energeia in Artistic Production

作　　者：孙丽君[1] 

机构地区：[1]山东财经大学文学与新闻传播学院

出　　处：《南京社会科学》2015年第10期124-131,共8页Nanjing Journal of Social Sciences

基　　金：国家社科基金项目"现象学视野中生态美学的方法论问题研究"(13BZW022)的阶段性成果

摘　　要：马克思主义的艺术生产理论强化艺术生产的实践本质,强化艺术生产与消费的辨证关系。生产理论认为消费引导着生产的根本方向,但这并不符合艺术生产的现实。海德格尔认为艺术的本质来自于一种惊异,这一惊异是一个存在论事件。伽达默尔认为艺术的本质奠基于这一事实:艺术作品储存了存在生成过程中的精神能量。精神能量是艺术作品创作和接受的根本原因与动力。精神能量概念有效地补充了马克思主义的艺术创作、艺术价值、经典的形成等理论。The Marxist theory of artistic production strengthens its practice essence and the dia- lectical relationship between artistic production and consumption. The theory of production thinks that the consumption leads the direction of production, which falls short on the reality of artistic pro- duction. Heidegger thought that the essence of art came from a kind of astonishment which was an event of being. Gadamer thought that the essence of art based on the fact that the artwork reserved the energeia in the generation process of being. The energeia is the radical cause and motive in the creation and acceptance of artworks. The concept of energeia supplements Marxist theory of artistic creation, artistic value and formation of artistic classics availably.

关 键 词：艺术生产 精神能量 艺术价值 创作动力 艺术经典 

分 类 号：I0[文学—文学理论]