理查德·沃尔海姆的“看进”和“看作”问题研究  

On Richard Wollheim'“Seeing-in”and“Seeing-as”

作　　者：赵树军[1] 

机构地区：[1]云南民族大学职业技术学院,昆明650031

出　　处：《唐山学院学报》2015年第5期30-33,105,共5页Journal of Tangshan University

摘　　要：理查德·沃尔海姆受到达芬奇的启发,提出了"看进"理论,即一种旁观者能同时意识到绘画表面和绘画内容的绘画经验理论。之后,他的"看进"理论得到不断丰富、完善和发展。由此,他还提出了"看作"的观点。文章主要就"看进"的含义、特点、工作机理以及与"看作"的关系问题进行梳理和探讨。Richard Wollheim,inspired by Leonardo da Vinci,proposed the seeing-in theory,a empirical painting theory which argues that a spectator can simultaneously realize the surface and content of a painting.His seeing-in theory enriched,improved and developed.Later,he also proposed the concept of seeing-as.The author of this paper mainly discusses the meaning,features,working mechanism of seeing-in and the relationship between seeing-in and seeing-as.

关 键 词：看进 看作 双重性 理查德·沃尔海姆 

分 类 号：B83-02[哲学宗教—美学]