论池莉的意义  

On the Significance of Chi Li

作　　者：张慧敏[1] 

机构地区：[1]三峡大学文学与传媒学院,湖北宜昌443002

出　　处：《兰州文理学院学报（社会科学版）》2015年第5期92-97,共6页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：国家社会科学基金项目"空间批评与西方马克思主义文论研究"(12CZW001);教育部人文社会科学青年基金项目"西方马克思主义文学批评的空间传统"(12YJC7752036)阶段性成果

摘　　要：从20世纪80年代末"新写实小说"开始,池莉持续不断地受到人们的关注。纵观池莉近三十年创作的整体意义,绝不能简单地限定在"新写实小说"这一思潮或流派的框架之内。作为一个思潮或流派的"新写实小说"已风流云散,但池莉却能够始终坚持对现代日常生活进行书写,既有意拒绝建国以来文学理念,无意中又连通了建国前文学表现个体之日常生活的传统,这与现代社会的工业化、市场化与都市化密切相关。池莉对武汉或汉口的认同与书写亦不能简单地从大众文化的角度对其世俗性或通俗性进行否定,她表达的是一种现代的都市空间经验,而城市正是承载并塑造现代人之日常生活最重要的场所。Chi Li has received concerns continuously since the end of 1980s when the ＂New Realistic Novel＂ was popular. The holistic significance of her works in recent 30 years is beyond the frame of the trend or genre of ＂New Realistic No- vel＂. Although New Realistic Novel as a trend or genre has disappeared, Chi Li still continues the writing of modern eve- ryday life. She intentionally refuse the literary idea after the founding of China in 1949 while unintentionally connect with the tradition of depicting the individuals＇ everyday life, which closely relates to the industrialization, marketization, and urbanization. The secularity or popularity in her identifying and writing of Wuhan or Hankou should not be negated from the point of mass culture. What she expresses is some modern urban space practice, and city is the critical site which al- lows and modes modern people＇s everyday life.

关 键 词：池莉 新写实小说 日常生活 城市空间 

分 类 号：I247.5[文学—中国文学]