见微知著——蔡锦的格物绘画  

Parts Reflecting the Whole: The Narrative Art of Cai Jin

作　　者：高名潞[1] 

机构地区：[1]美国匹兹堡大学艺术史及建筑史系

出　　处：《天津美术学院学报》2015年第1期14-17,共4页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：阅读蔡锦的作品实际上是在阅读蔡锦这个人。我与蔡锦接触不少,但是很少听她夸夸其谈。她寥寥数语的谈话和笔记大多讲她对枯萎的美人蕉、对家乡老屋的窗格子、对水痕及红色腥气的感觉。这种感觉有一种无法捕捉的诡秘。凡有生命的东西,必定诡秘。诡秘在于我们无法从表面现象去把握它们的内在实质,或者说,Cai Jin＇s art works are in fact the reflection of herself. I know Cai Jin well and never hear her boasting. Her concise statements and notes mostly tell us her feelings to the withered canna, the window lattice of the old house in hometown, the water traces and the bloody red. Such feelings are so weird that they can hardly be captured.

关 键 词：寥寥数语 内在实质 表面现象 水痕 女性艺术家 THINK 屋漏痕 

分 类 号：J205[艺术—美术]