烟客山水审美考辨  

Aesthetic Study on the Landscape Painting of Yanke

作　　者：杨明刚[1] 

机构地区：[1]中国艺术研究院

出　　处：《民族艺术研究》2015年第5期129-136,共8页Ethnic Art Studies

基　　金：国家社科基金重点项目"中国审美意识通史"(11AZD052);中国博士后科学基金第54批面上一等资助项目"清代美术遗存审美意识研究"(2013M540349)阶段性成果

摘　　要：王时敏的山水画迹引领着清初对山水画艺的主流趣尚,藉由丰富经典的画作遗迹、多元旨趣的意象符号、渊源有自的笔墨技法、儒学意味的图式风格、清真雅正的审美观念,呈现着烟客在山水创作中的思维基质、创作构思、作品呈现、精神传承,左右着清初绘画的本体发展进程、主体心理结构、时代风尚播迁和传统精神取向,奠定了正统画派的根基。Wang Shimin＇s landscape paintings led the mainstream interest of the early Qing Dynasty land- scape painting art. Wang Shimin＇s numerous classical paintings are characteristic of images with diversified meanings, unique brushwork, patterns with Confucian implication, and pure elegant aesthetic ideas. His paintings manifest his own painting philosophy and spirit inherited from previous painting masters, which had great impact on the development, major painting concepts and the mainstream values and spirit of the early Qing Dynasty paintings and laid the foundation for orthodox school of painting.

关 键 词：王时敏 山水画 意象 技法 观念 审美意识 

分 类 号：J201[艺术—美术]