灵魂里的山水——论冯至散文集《山水》  

Landscape in the Soul——On the Prose Collection Landscape of Feng Zhi

作　　者：陈邑华[1,2] 

机构地区：[1]福建师范大学文学院,福州350108 [2]闽江学院中文系,福州350121

出　　处：《哈尔滨工业大学学报（社会科学版）》2015年第5期109-115,共7页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：国家社会科学基金项目(13CZW065)

摘　　要：冯至被鲁迅誉为"中国最为杰出的抒情诗人",其散文集《山水》在中国现代散文中可谓是一个独特的存在。抗战时期,昆明一隅素朴、安静的自然山水成为冯至的精神寓所,冯至汲取中国禅宗、道家"天地与我并生,万物与我一体"的思想,融合里尔克的山水理念以及歌德的蜕变论,形成自己独到的富于"宇宙精神"的自然观,即众生一体、万有同源,一切均在关联变化中向前向上的自然观。这一自然观具有强烈的人本主义色彩。《山水》关注"灵魂里的山川",流淌着光风霁月的情怀,贯穿着"正当的死生"的主旋律。这一睿智坦荡的生死观,充溢着担当、坚忍、积极向上的人格力量。《山水》行文清朗深婉,诗情与哲思水乳交融,韵味悠长,宛如一首沉思的诗。Feng Zhi has been hailed by Lu Xun as＇ the most distinguished lyric poet of China＇.His prose collection Landscape is a unique existence in Chinese modern prose.During the War of Resistance Against Japan,the landscape in a plain and quiet corner in Kunming became the spiritual home of Feng Zhi.He absorbed the ideas in Chinese Zen and accretion of＇the world and me,and the union of all and me＇in Taoism,blended with the landscape concept from Rilke and the Metamorphosis Theory of Goethe,to form his original view of nature which is rich in＇universe spirit＇,and that is all are in union,from the same root,and moving upwards and forward in integration.This view has a strong humanistic color.In Landscape,it focuses on＇landscape in the soul＇,with the flowing feeling of benign and open-hearted,and the theme of＇Right of Life and Death＇running through.This wise and magnanimous view of life and death is full of personality strength of responsibility,perseverance and positivity.It has a clear and deeply graceful writing style,with the fusion of poetics and philosophy,as well as the lingering charm,like a meditative poetry.

关 键 词：冯至 《山水》 自然观 生死观 哲思 

分 类 号：I266[文学—中国文学]