巴赫金的寄托和民间文化的局限  

Bakhtin's Entrustment and Limitations of Folk Culture

作　　者：简圣宇[1] 

机构地区：[1]广西艺术学院公共课教学部,广西南宁530022

出　　处：《海南师范大学学报（社会科学版）》2015年第9期66-73,共8页Journal of Hainan Normal University(Social Sciences)

基　　金：基金项目:2013年度广西高等学校优秀中青年骨干教师培养工程

摘　　要：在巴赫金看来,民间文化在形态上具有主体间性、包容性、多元性、原生性和自由直率等特质,它与具有主体性、独白性、权威性、严肃性和精致化等特质的官方文化形成对立关系。但矛盾之处就在于,民间文化有着高度复杂浑浊的情感态度和价值取向,其与官方文化并非总是截然对立。恰恰相反,民间文化的生存之道就在于其与官方文化有着千丝万缕的联系,从而得以用"托名法"暗渡陈仓地达成自己的目的。In the view of Bakhtin,folk culture is characterized by intersubjectivity,containment,diversity,primordial quality,freedom and frankness in its form,a contrast to official culture marked by subjectivity,monologue,authority,seriousness and refinement. However,what is paradoxical is that folk culture,boasting the highly complex and turbid emotional attitude and value orientation,is not diametrically opposite to official culture. On the contrary,the existence of folk culture lies in its countless ties with official culture,because by so doing is it able to achieve its own purpose by conducting something in the name of official culture.

关 键 词：巴赫金 民间 托名法 文艺复兴 

分 类 号：I022[文学—文学理论]