对“真实”的诠释——关于摄影与绘画的思考  

On the Illustration of "Reality"——Thinking of the Relationship between Photography and Painting

作　　者：戴丹[1] 

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《艺术探索》2015年第4期63-66,共4页Arts Exploration

基　　金：2014年度南京艺术学院教学研究立项课题"‘摄影观念史’教学改革与实践"(JWDDDSY15)

摘　　要：西方艺术史的发展,可以被看作围绕对"真实"这一问题的解决而展开的。文艺复兴时期透视术的发明,为画家客观再现客体提供了技术支持。然而随着18世纪视觉科学和摄影理论的发展以及摄影术的发明,画家开始怀疑透视术,重新思考"真实"的问题并改变作画方式,这一过程直接加速了19世纪印象派的出现。The development of the western art history can be considered as the issue of the 'reality' solution. Painters successfully represented the nature on basis of the invention of perspective in Renaissance. With the development of the vision science and invention of photography in 18 th century, the painters began to suspect of perspective and rethink the issue of 'reality' while changed their painting styles. The invention of photography eventually lead to the emergence of impressionism in 19 th century.

关 键 词：真实 摄影 绘画 透视术 视知觉 

分 类 号：J205[艺术—美术]