“清代诗学研究”主持人语：海内论诗有正宗 姬传身在最高峰--姚鼐诗学品格与渊源刍论  

Guest Editor's Introduction to the Issue in Focus“Studies in Poetics of Qing Dynasty”

作　　者：蒋寅[1] 

机构地区：[1]中国社会科学院文学所

出　　处：《文艺理论研究》2015年第5期146-157,共12页Theoretical Studies in Literature and Art

基　　金：国家社科基金重大课题“清代文人事迹编年汇考”[项目编号:13&ZD117];国家社科基金项目“乾隆朝诗学的历史展开研究”[项目编号:12BZW051]的前期成果.

摘　　要：尽管上世纪初学界就提出了桐城派不仅是文派同时也是诗派的主张，但桐城诗学始终未得到深入的探讨。本文从姚鼐的文学观念入手，分析了他的诗学与王渔洋的继承关系，并由此透视《今体诗钞》的诗学倾向及对桐城诗学“以文论诗”的方法论启示，从理论品格与学术渊源两方面论述了姚鼐对于桐城诗学的奠基作用。It has been proposed since the early 20th century that the Tongchang School in the Qing Dynasty was a literary school of both prose and poetry, but the Tongcheng School＇s theoretical claims of poetry has not been given due explorations. This paper approaches Tongcheng School＇s poetic theory from an analysis of Yao Nai＇s （ 1731 - 1815 ） literary ideas and proceeds to examine how he developed his poetics upon Wang Shizhen （1634- 1711 ）. Then, the paper analyzes the poetic taste in New Style Poems and its illuminations to the poetics of Tongcheng School before concluding the paper with Yao Nai＇s theoretical and academic contribution as a founder of Tongcheng poetry.

关 键 词：桐城派 姚鼐 王士禛 诗学 

分 类 号：I207.22[文学—中国文学]