吴文化研究：吴地戏曲——明清苏南昆曲流派生成论  

A Study of the Development of Kunqu Opera Styles in Southern Jiangsu Province During the Ming and Qing Dynasties

作　　者：王宁[1,2,3,4,5,6,7] 

机构地区：[1]苏州大学文学院 [2]中国艺术人类学学会 [3]中国俗文学学会 [4]全国古代戏曲学会 [5]中国散曲学会 [6]江苏昆剧研究会 [7]江苏文艺评论家协会

出　　处：《苏州教育学院学报》2015年第4期1-7,共7页Journal of Suzhou College of Education

基　　金：江苏省社科基金重大项目(13ZD008)

摘　　要：明清时期苏南三个昆曲流派的形成各有其独特原因。“昆山派”堪称是典雅文学和典雅音乐的合体；“吴江派”的出现则与本色派的形成密切联系，具有鲜明的时代特征；“苏州派”的崛起折射了苏南市民文化的兴盛，并体现了从“曲”到“剧”的转移。Special reasons contributed to the development of the three styles of Kunqu Opera in Southern Jiangsu Province during the Ming and Qing Dynasties. ＂Kunshan Style＂ is exemplary of elegant literature and elegant music. ＂Wujiang Style＂ emerged in close connection with the formation of the primitive style, and it embodied the distinct characteristics of the times. The rise of＂Suzhou Style＂ reflected the civil culture flourish in Southern Jiangsu Province, and demonstrated the transformation from ＂music＂ to ＂drama＂.

关 键 词：昆曲 昆山派 典雅派 吴江派 苏州派 明清时期 

分 类 号：J809.9[艺术—戏剧戏曲]