试论唐玄宗对乐舞艺术的管理  

On Emperor Xuanzong's Management for Art of Music and Dancing

作　　者：龚贤[1] 高林 

机构地区：[1]江西财经大学人文学院,江西南昌330013 [2]云南省富源县大河镇第二中学,云南曲靖655505

出　　处：《衡阳师范学院学报》2015年第5期163-167,共5页Journal of Hengyang Normal University

基　　金：国家社会科学基金一般项目"唐宋音乐管理与唐宋词发展研究"(07BZW027)的成果之一

摘　　要：唐玄宗对唐代乐舞艺术的管理做出了重要贡献,他将雅乐、俗乐分别隶属于不同的司乐机构,有利于提高这些艺术的表演水平;他还创制了不少新的乐曲乐舞,引领当时乐舞艺术发展的风潮,助推了整个社会形成普遍好乐的风气;他将"十部乐"整改为"坐部伎"和"立部伎"两部,并将胡部新声加入了坐部伎,促进了乐舞艺术发展的繁荣;他还教授乐人,组织乐团和舞队,培养了一大批歌舞艺人。玄宗通过对乐舞艺术的有效管理,为其统治的合法性制造社会舆论,实现了缓和与反对派矛盾的目的。Emperor Xuanzong had made an important contribution to the management for the art of music and dancing in Tang dynasty.He divided the art into elegant part and popular part with different management institutions,thus improved the performance skill for both of them.He created many music and dances and led the trend of the art,and boosted the general mood of the art for the whole society.He rectified and reformed Ten Art to Sit Performance Art and Stand Performance Art,and joined the ethnic art into Sit Performance Art,thus promoted the art to prosperity.He instructed the actor and organized orchestra and therefore a large number of actors had been trained.By effective management for the art of music and dancing,Emperor Xuanzong manufactured the social opinion for the legality of his rule,harmonized his opposition and appeased the conflict with them.

关 键 词：唐玄宗 乐舞艺术 管理 

分 类 号：J820.9[艺术—戏剧戏曲]