白居易居洛闲适诗探析  

Analysis of Bai Juyi's Leisure Poems in Luoyang

作　　者：殷海卫[1] 

机构地区：[1]河南科技大学人文学院,河南洛阳471023

出　　处：《南昌大学学报（人文社会科学版）》2015年第5期138-142,共5页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：河南省教育厅人文社会科学研究项目"白居易居洛闲适诗研究"(2014-gh-778);河南省教育科学"十二五"规划项目"全球化背景下高校文科专业应用型人才培养模式探索"([2012]-JKGHAD-0205);河南省哲学社会科学规划项目"洛阳白马寺佛教文化研究"(2013BZX015)

摘　　要：白居易居洛闲适,经历了向往归洛、思洛、暂居、分司、离洛、归洛、中隐、致仕、终老等较为复杂的人生过程,它是诗人政治失意后的华丽转身,是他对生命本真意义的探寻,是一种诗意的栖居。居洛闲适诗表现出大雅大俗的审美特征:慵懒的日常生活、凡俗的个性生活、世俗的大众生活,与清雅闲静的园林生活、名士风流的宴饮游乐生活等,互为表里。这种生活方式深受佛道思想的影响,对后世文人、文学、文化都产生了深远的影响。Bai Juyi lived leisurely in Luoyang and experienced a complicated life of looking forward to returning to Luoyang, missing Luoyang, residing temporarily, being a branch officer, escaping from realities, returning to nature, almost being a hermit, retiring and spending his remaining years till death. The life was a splendid turning of political frustration, an exploration of life true sense and it was a kind of poetic dwelling. Leisure poems in Luoyang manifested aesthetic characteristics of elegance and seeularity. Lazy daily life, secular personalized life and secular public life interacted with elegant carefree garden life and unconventional scholars＇ banquet and travel life. This life -style was affected deeply by Buddhism and Daoism and had a profound impact on scholars and literature and culture of later ages.

关 键 词：白居易 居洛闲适诗 大雅大俗 佛道思想 

分 类 号：I207.227.42[文学—中国文学]