为了一种新的现实主义——论狄德罗小说创作观之演变  

For a New Realism:On the Evolution of Diderot's View of Fiction

作　　者：孙婷婷[1] 

机构地区：[1]中国社会科学院外国文学研究所,北京100732

出　　处：《外国文学》2015年第6期58-66,158,共9页Foreign Literature

摘　　要：接触理查逊的作品之前,狄德罗对18世纪"现实主义"小说中的夸张和奇幻颇多批评,已经开始思考虚构故事的可信性问题。理查逊让狄德罗看到了现实主义的更多可能,提醒他关注现实主义细节对于制造小说幻象的重要性。然而,认识到不可能通过小说完整地重建现实以后,狄德罗逐步放弃了细节模仿等现实主义手法。他虽然在某种程度上依旧承认小说幻象是阅读的发动机,制造幻象是必要的,但这种承认并不意味着他对小说幻象等现实主义叙事方式的完全信任。在后期的作品中,狄德罗表面上采取了现实主义的手法,却从内部进行了颠覆和破坏。Diderot had begun to criticize the eighteenth-century realist fiction even before he read Richardson.He attacked its exaggeration and fantasy,and pondered about the credibility of fictional stories.The novels of Richardson present more possibilities of realism and demonstrate the importance of realist details to the creation of fictional illusions.However,Diderot came to realize the impossibility to reconstruct the reality through fiction and as a result,he gradually abandoned such realist techniques as lifelike details.To some extent Diderot still recognized the role of fictional illusions as a motivation for reading and the necessity of creating them,but on the other hand he was not fully confident about such realist narrative strategies.Diderot took realist approaches only superficially in his later works,where subversion and destruction were hidden.

关 键 词：狄德罗 真实 细节 小说 幻象 

分 类 号：I565[文学—其他各国文学]