论珍妮特·温特森小说作品中的解构主义故事观  

On the Deconstructive View of Story in Winterson's Novels

作　　者：佴康[1,2] 

机构地区：[1]南京大学,江苏南京210093 [2]南京工业大学,江苏南京210009

出　　处：《外国文学》2015年第6期67-74,158-159,共8页Foreign Literature

基　　金：教育部人文社科基金专项"大学生认同教育中的叙事问题研究"(15JDSZ3016);国家社科基金"英国后现代小说形式变革研究"(13BWW047)

摘　　要：在温特森的文学创作中,"故事"是一个关键词,独特的故事观也是其解构主义文学思想的核心。温特森认为故事的核心价值是文学性真实,故事重述是对概念化生活和传统真实观的挑战,是讲述者赋予世界秩序并重构世界的方式;故事的话语范型是私语性讲述,用小话语突破宏大叙事,体现个人对于话语的介入和构建;故事的功能是延异性转变,由于故事具有重构、传递经验和隐喻功能,讲述故事可以探索可变多元的主体;故事的表现形式是否定性表达,由于受到"否定神学"影响,温特森在作品中启动多种"防御机制"来反对确定性,用排除和否定的方式来表达自我。在西方文学"故事转向"的背景下,研究温特森的故事观对研究后现代文学形式变革具有参考价值。The word'story'plays a significant role in Winterson's literary creation,and the unique view of story is at the core of her deconstructive thinking.Winterson believes that stories should be based on literary realism,challenge stereotyped realism,and deconstruct conceptualized life.Winterson tells the stories often in a way of whispering,which breaks through grand narration and reflects the intervention of individual narratives.Winterson's stories display transition and différance.Because stories have the function of transferring experience and reconstructing identity,they can present the alterable subject in procession.In addition,Winterson's stories tend to give negative expressions.Influenced by Derrida's Negative Theology,her many works employ'mechanisms of defense'against certainty and use exclusive and negative methods to express the self.Therefore,in the context of 'epidemic of storytelling',a study ofWinterson's theory of story will illuminate the study of the transformation of postmodernist literature.

关 键 词：温特森 解构主义 故事观 个人话语 

分 类 号：I516[文学—其他各国文学]