黄道周骚体赋创作原因初探  

Primary Investigation on the Source of Huang Daozhuou's Writing of Fu of Sao Style

作　　者：陈良武[1] 

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《云梦学刊》2015年第6期123-127,共5页Journal of Yunmeng

基　　金：全国高校古籍整理研究工作委员会资助项目<〈榕坛问业〉校点与研究>(1416)

摘　　要：晚明闽籍著名学者黄道周一生以讲学、著述为务,不仅理学、经学成就斐然,而且骚体赋的创作数量亦不少。黄道周能创作如此多的骚体赋,除弥漫明代文坛的复古之风的影响外,闽地楚辞学传统的熏陶、少年成长环境的影响、闽地淫祀风俗的浸染、楚辞独特的体制也是其中的重要原因。此外,黄道周倾心骚赋还出于对屈原、贾谊的钦慕,以及与他们因遭遇相似在心灵上激起的异代同慨的共鸣。Huang Daozhou was a famous Confucian scholar from Fujian in the late Ming Dynasty,and he was engaged in academic activities all life. He not only scored many remarkable achievements in Neo-Confucianism and the Studies of Confucian classics,but also wrote a lot of Fu （one of the Chinese literary forms akin to poetry） of Sao style. The chief reasons for it are as foUows： the nurture of the Songs of Chu tradition in Fujian, the influence of boyhood growth environment,the impregnation of practicing excessive sacrifices in Minnan,the unique style of the Songs of Chu. Moreover,his admiration for Qu Yuan and Jia Yi is another important factor ,and a similar experiences aroused the resonance in his heart.

关 键 词：黄道周 骚体赋 创作原因 

分 类 号：I122.4[文学—世界文学]