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作 者:庞佳[1]
出 处:《北京舞蹈学院学报》2015年第5期42-45,共4页Journal of Beijing Dance Academy
基 金:2013年江苏省教育厅高校哲学社会科学基金项目"手语文化与舞蹈文化的融合及艺术表现形式研究"(项目编号2013SJB760025)阶段性研究成果
摘 要:本文立足于身体文化、生态文化和审美文化视域之下,把中国古代身体观、人类发展文化本质理论、黑格尔美学思想,作为手语与舞蹈交融现象研究的逻辑起点,进而对手语舞蹈有一个全新的认识,期望为其今后的发展开拓出一条全新的道路。Viewing from the basic category of research field on the sign language and dance culture, the deep relationship between "sign language culture" and "dance culture" should be interpreted as the starting point of building and developing the research of sign language and dance culture. Based on the body culture, ecological culture and aesthetic culture, it is just this deep relationship that impels us to merge the ancient Chinese philosophical theory of body, the cultural nature of human development and Hegel' s aesthetic ideologies as the logical starting point of the research on the sign language and dance culture. Therefore, we will have a brand new understanding of sign language and dance cuhure as well as exploit a brand new path for the future development.
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