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作 者:吴丹[1]
出 处:《北京舞蹈学院学报》2015年第5期89-95,共7页Journal of Beijing Dance Academy
基 金:广东省高等职业教育教学改革项目"非遗传统舞蹈纳入<舞蹈欣赏>课程研究:以深圳沙头角鱼灯舞为例"(项目编号:201401219);深圳职业技术学院科研项目"非遗舞蹈:深圳市沙头角鱼灯舞调度的仪式性研究"(项目编号:601422S32009)的阶段成果
摘 要:舞蹈业内学者研究的调度,主要针对舞蹈作品如何为表达主题而创作的队形路线。舞台创作呈现的抽象构图,虽能表达作品主题,解读角色情绪,却往往易忽视调度生长于民间地域的文化属性,而由民间土壤孕育的文化恰恰才是调度的根。笔者认为,不断记录研究当地舞蹈与仪式调度的文化性,将促进非遗舞蹈的传承与保护,甚至有助于舞台创作呈现调度的文化属性。因此,本文回归田野,进行个案分析,主要描述非遗舞蹈沙头角鱼灯舞生存的地域——沙栏吓村传统的出海祈福祭拜仪式及其调度的文化隐喻,为深圳本土非遗舞蹈的传承研究尽点绵薄之力。The stage dispatching of the professional dance performance mainly refers to the formation and dancing lines created for expressing the theme of dance work. The abstract composition of the stage creation is capable to express the theme and interpret the characters, but it is likely to ignore the regional cultural attributes based on the local land. The local culture is precisely the root of dispatching. The paper argues that keeping records of the local culture in the local rituals dispatching and dance performances will promote the inheritance and protection of the dance of the intangible heritage culture, even contribute to the cultural attributes revealed in the stage creation. Therefore, the paper returns to the fieldwork, and makes case study of the Fish Lantern Dance in Sha Lan Xia village of Shenzhen, including the cultural metaphor of its traditional blessing ritual of sea fishing, and hoping to contribute to the research of inheritance of local intangible euhural heritage in Shenzhen.
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