统合与分离——歌剧《土楼》结构与思维探析  

An Analysis on Structures and Thoughts of Opera Tulou

作　　者：兰晓梅[1] 

机构地区：[1]龙岩学院,福建龙岩364000

出　　处：《龙岩学院学报》2015年第6期109-112,共4页Journal of Longyan University

摘　　要：歌剧《土楼》成功地反映了福建客家人独特的生存环境和状态,体现了客家人艰苦奋斗、勤俭淳朴的精神以及客家妇女的大爱,同时也反映了中华民族勤劳勇敢的民族精神。从中西音乐结构思维的比较视角来看,该歌剧在音乐内部、音乐与戏剧、戏剧与戏曲之间存在着统合与分离的特点,因此,我们要处理好中国原创歌剧与西方戏剧、中国戏曲之间的关系,做到中西音乐完美结合。The opera Tulou successfully reflects the unique living environment and the state of Hakka people in Fujian Province, embodying their hard work, diligence, innocence and the Hakka women's great love. At the same time, it reflects the diligence and courage of the Chinese national spirit. In a comparative perspective of the Chinese and Western musical structures, the opera possesses the characteristics of integration and separation within the music, between the music and the drama, and between the drama and the Chinese opera. Therefore, the relations between the Chinese original operas and the Western dramas and the relations within the Chinese operas should be well studied so as to achieve a perfect combination of the Chinese and the Western music.

关 键 词：歌剧 《土楼》 统合 分离 

分 类 号：J822[艺术—戏剧戏曲]