意大利的现代家具设计(二)——1960年代的流行文化  

Italian Modern Furniture Design(Ⅱ)——The Popular Culture in 1960s

作　　者：许美琪 

机构地区：[1]上海家具研究所,上海200001

出　　处：《家具》2015年第6期5-10,共6页Furniture

摘　　要：经济起飞的60年代期间开始流行文化,它根植于这样一种哲学"今天享受它,明天扔掉它"。它容忍新奇,只因为它是新奇。在20世纪50年代,设计主要是由功能主义主导的,但是到60年代初期,消费文化上扬,它鼓励的是个性化而不是标准化,与功能主义唱反调的前卫派应运而生。功能主义强调功能和美学的持久性,而前卫派则主张消费者导向的风格,它屈从于流行文化。由阿基佐姆和超级工作室所开创的反设计理论与流行文化有关,后来由阿卡米亚工作室与孟菲斯进一步加以发展。在20世纪70年代后期和80年代初期,反设计理论的进展最终导致了国际风行的后现代风格的产生。The popular culture of the economically buoyant 1960 s was based on a philosophy of ＇enjoyit-today-sling it-tomorrow philosophy＇,which condoned novelty for novelty＇s sake.In the 1950 s,design had been dominated by functionalism,but by early 1960 s the booming consumer culture encouraged individualism rather than standardization.In opposition to the rationalism which promoted the durability of function and aesthetics,the avant-garde moved towards to a consumer-oriented style that embraced poplar culture.The anti-design theories explored by Archizoom and Superstudio,which had evolved from popular culture,were later advanced by Studio Alchymia and Memphis.This progression of anti-design in the late 1970 s and early 1980 s ultimately culminated in an internationally established style：post-modernism.

关 键 词：流行文化 反设计 消费文化 

分 类 号：TS664[轻工技术与工程]