论西方纯诗理论与中国现代纯诗写作的和而不同  

The Agreement and Disagreement Between the Western Pure Poetry Theory and Chinese Modern Pure Poetry Composition

作　　者：耿庆伟[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《烟台大学学报（哲学社会科学版）》2015年第6期61-67,共7页Journal of Yantai University(Philosophy and Social Science Edition)

基　　金：中央高校基本科研业务费专项资金资助项目"‘纯诗’诗学视域下的中国新诗研究"(2015111010203)

摘　　要：由于中外文化传统的差异及接受语境的拘囿,自20世纪20年代引入中国后,纯诗理论必然会发生变异,具体体现为中西诗学追求的差异。但作为一种源于西方而在中国应时而需的美学概念,由于中西诗坛艺术目标的一致性,西方的纯诗理论和中国纯诗写作都具有强烈的入世精神和现实指向。纯诗写作受到中国现代诗界的广泛认同,现代诗人通过对这一概念的扬弃,让纯诗理论促进了中国现代新诗的艺术精进和品质提升。Due to the differences between Chinese and foreign cultural traditions and contextual factors,＂pure poetry＂theory is bound to change after entering China since the 1920 s,and it is reflected as the differences of poetic seeking between China and western countries. As a kind of aesthetic concept,pure poetry theory in the western and Chinese pure poem writing have a strong spirit of world and reality orientation due to the consistency of Chinese and Western poetry artistic goals. Pure poetry writing is widely recognized by modern Chinese poetry field. Through a sublation of the concept,modern poets make the theory promote the level of Chinese modern new poetry art and develop the quality of pure poetry.

关 键 词：纯诗理论 瓦雷里 区别概念 纯粹美 中国化 

分 类 号：I207.2[文学—中国文学]