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作 者:李华秀[1]
出 处:《石家庄学院学报》2016年第1期97-102,140,共7页Journal of Shijiazhuang University
基 金:河北省高等学校创新团队领军人才培养计划项目成果;河北省2015年研究生创新资助项目"从群体突围到个体救赎--异质空间下孙犁小说叙事嬗变"(sj20150)
摘 要:孙犁抗战小说的叙述者,多居住在"房东"家里,和房东形成一种"拟家"结构,并以此为叙事模型,讲述"他"与房东家的各种关系。"拟家"结构为孙犁抗战小说的叙事奠定了温情脉脉的基调。"拟家"结构与五四新文学以来的"拆家"叙事一脉相承,它们都紧紧凝聚在中国家族文化这条根脉上,显示出"家"这一文化内核的重要意义。以"拆家"为宗旨的五四新文学强调"破旧","拟家"结构强调"立新"。"拟家"与"拆家"相接续,完成了破旧立新的文化改造工程。因而孙犁的抗战小说,是革命根据地文学的一面旗帜,是五四新文学和革命文学相接续的卯榫。In Li Sun's Anti-Japanese War novels,the narrators usually live with their "landlords" , forming a "quasi-family" structure. Based on this narrative model ,the narrator recounts all kinds of relations with the "land- lord" family. The "quasi-family" structure lays a sentimental tone for the narration of Li Sun's Anti-Japanese War novels. This structure is in line with the "disconnecting families" narrative since the May Fourth Movement. Both are tightly condensed around the roots of Chinese familial culture, showing the importance of "home" as the kernel of Chinese culture. The new literature of the May Fourth Movement with the purpose of "disconnecting families" stress- es on "destroying the old" ,whereas the "quasi-family" structure focuses on "establishing the new". The continua- tion from "disconnecting families" to "quasi-family" structures completes the cultural renovation project of demol- ishing the old and establishing the new. Therefore, Li Sun's Anti-Japanese War novels form a banner of revolution- ary base literature, and serve as the mortise and tenon connecting the new literature of the May Fourth Movement and the revolutionary base literature.
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