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作 者:张秋婵[1]
机构地区:[1]安徽广播电视大学文法学院
出 处:《浙江艺术职业学院学报》2015年第3期33-37,共5页Journal of Zhejiang Vocational Academy of Art
基 金:2013年度江苏省社科基金重大项目<江苏戏曲文化史研究>的阶段性成果(项目编号:13ZD008);中央广播电视大学2008-2009年度科研课题<晚明奇人潘之恒>阶段性成果之一(项目编号:GDQ1808)
摘 要:晚明时期,金陵戏曲演出极为繁荣,表现形式多样。潘之恒一生中有约一半的时间在金陵逗留。在金陵,他积极组织、参与各种戏曲活动,积累下丰富的戏曲观赏经验,为他一生从事戏曲表演艺术的探索,提供了优越的条件。潘之恒的金陵戏曲活动主要体现在两个方面:一是组织社集和曲会,进行戏曲表演活动;二是与梁辰鱼、韩上桂、汤显祖等戏曲家交往,共同探讨、切磋戏曲编剧和表演艺术。In the late Ming dynasty,opera activities in Jinling were especially prosperous and formed various expressions. Pan Zhiheng made his stay in Jinling for half of his life. In Jinling,he took an active part in organizing and taking part in different kinds of opera activities,and accumulated experience of opera-watching,which provided exceptional conditions for his lifetime working on acting of opera. The two obvious effects of Pan Zhiheng 's opera activities in Jinling are as follows: one is to organize social collection and opera association; the other one is the association with opera artists as Liang Chenyu,Han Shanggui,Tang Xianzu and so on,as well as their discussion on art of performing.
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