黔东南苗族色彩审美与象征探源  

Color Aesthetic Preference and Symbolization of the Miao in Southeast Guizhou

作　　者：范国祖[1] 石德富[2] 

机构地区：[1]凯里学院,贵州凯里556011 [2]中央民族大学,北京100081

出　　处：《贵州民族研究》2015年第10期123-126,共4页Guizhou Ethnic Studies

基　　金：2013年凯里学院教授专项课题"基于言语视角的黔东南苗族色彩审美与象征研究"(课题号:JS201306)成果之一

摘　　要：黔东南苗族在明清的历史文献中被称为"黑苗"或"青苗"。黔东苗语反映了他们崇青尚绿忌红恶黄的审美取向。这种对立的颜色审美观是由当地苗族人的生态环境、生产生活方式、自然观及宗教信仰三方面浇铸而成;它也体现了人与自然和谐相处是苗族人的最高审美准则,因此它具有深刻的、跨越时空的生态美学内涵。The Miao in Southeast Guizhou was labeled as ＂black Miao＂ or ＂Green/Blue Miao＂ in the historical records of the Ming and Qing dynasties. The linguistic evidence in their mother tongue reveals that ＂blue＂ and ＂green＂ are their preference while ＂red＂ and ＂yellow＂ are the colors they dislike, and that ＂red＂ even symbolizes ＂poverty＂ and ＂disaster＂ . This paper holds the view that this color aesthetic is molded by the ecological environment they live in, the way of their production, and their religious belief. The aesthetic preference reflects that the harmony of man and nature is the highest aesthetic criterion for local Miao people, so it is deeply significant in economic aesthetics, which is far beyond time and space.

关 键 词：黔东南 苗族 颜色 审美 

分 类 号：B023[哲学宗教—哲学理论]