一个艰难终结的时代——中国近代戏剧改良运动的现实思考  

The End of a Difficult Era: A Reflection on the Reality of Modern Chinese Drama Reform Movement

作　　者：张福海[1] 

机构地区：[1]上海戏剧学院

出　　处：《民族艺术研究》2015年第6期75-80,共6页Ethnic Art Studies

基　　金：上海市一流学科项目(编号:12YL0907)资助

摘　　要：中国现时期的戏剧仍属于近代性质,实现中国戏剧的现代性,是中国戏剧不可回避的道路。中国戏剧曾走过百余年的改良和变革的里程,在今天的审美环境中,戏剧理应摆脱非艺术因素的影响,回到自身,走向成熟,创造新的戏剧形态,发挥戏剧的审美功能,实现人们今天的审美理想。As recent Chinese drama still has contemporary nature, the realization of its modernity is an inevi- table path for Chinese drama. Chinese drama has gone through over a hundred years of improvement and reform. In today＇s aesthetic context, drama art should get rid of the impact of non - artistic factors, return to its fundamental nature, become mature, and create new forms of drama, giving full play to the aesthetic function of drama and realizing the aesthetic ideal of modem people.

关 键 词：戏剧改良运动 戏剧的现代性 古典戏剧 近代戏剧 

分 类 号：J80[艺术—戏剧戏曲]