汉代不同质别的弹琴类画像文物  

On the Playing Qin Painting on Different Texture Cultural Relics

作　　者：季伟[1] 

机构地区：[1]南阳师范学院,河南南阳473061

出　　处：《中原文物》2015年第6期65-73,共9页Cultural Relics of Central China

基　　金：教育部人文社科项目<汉代古琴的图像学研究>(项目号:项目号:13YJA760020);南阳师范学院课题<汉画中的古琴研究>(项目号:STP2015004)阶段成果之一

摘　　要：汉代弹琴类画像文物,质材有陶俑、画像石、画像砖、铜镜等。俑琴分有弦无弦,姿态有恬然型、微笑型和歌唱型,组合有二人型、三人型、四人型等。画像石砖上有师旷伯牙鼓琴图、聂政刺韩王图,还有乐舞百戏图;在汉代出土的铜镜背面也铸绘有弹琴的图像。汉代弹琴类画像文物,折射出琴不但是汉代儒士修身抒情的载体,汉代正义品德的象征,也是汉人祈求好运的神器及汉人乐舞百戏的乐器。Playing Qin portrait cultural relics of the Han Dynasty, according to material quality we can be divided into pottery figurine; stone relief; portrait brick and bronze mirror. The playing Qin figurine can be divided into having string and no string, the pose of those pottery figurines had three kinds, and their groups had three kinds. There were different contents in the stone and brick relief portrait like Shikuang and Bo Ya playing Qin. And many playing Qin portraits were inscribed on the back of bronze mirrors . Playing Qin portrait not only reflects the refined scholars interests of the Hart Dynasty but also is the symbol of morality.

关 键 词：画像 文物 弹琴 陶俑 石砖 铜镜 乐舞 

分 类 号：K879.4[历史地理—考古学及博物馆学]